paintings
vestiges of endlessly moving prospects


 

     is a body of drawings, oil paintings, transparency plates and now prints

     the title is an adaptation of Sir James Huttons' description of geological time, formed in the late 18th century, as he viewed the rock formations of Siccar Point Edinburgh;

    'No vestige of a beginning....no prospect of an end.'
 

 From the quick line drawings of our crisp north east coastal skies, as they form and disappear with their suggested 
narrative,
the tonal tempera under painting on panel, used for its clarity luminosity and economy, 

     the cracking of the enfolded oil and varnish as the paintings develop with time and conditions,

     to the blurring and momentary focus as the eyes traverse the transparent double image,

 All have fleeting clarity, an always transitional, often illusory grasp of detail and focus.

 

a lot from a little ...  all the paintings are guided by this principle.

them little sailing boats

standing on the east coast watching the sun set in the west

not long now

going to have to go full circle

diving through

slowly patiently

paintings
frozen moments of fleeting clarity
st. Nicholas Cathedral Newcastle

A contemporary transient exhibition of our ever changing skies *within the permanent structure, holding the history and journey of its community in every stone.

ice cream

something to share

I saw this beautiful cumulus over Roker beach a favourite place for ice cream


 

early evening horsetails

a fine teatime display outside my studio window

come on in i'm gonna teach ya how te swim

white plane trails cut through all clouds
the title comes from a favourite Alex Harvey lyric

so many moons we have seen stumbling back next to me

a great No Doubt lyric

long before i new him

thinking about my granda having a life long before me

the pleasure is to play

looking like molecules resting this cluster hung out over the North Sea. a great quote from Lemmy, Motorhead.

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